Dutch 1599-1641 Anthony Van Dyck Locations Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.  Related Paintings of Anthony Van Dyck :. | Queen Henrietta Maria, London 1632 | Portrait of Sir William Killigrew | preceding pages | Portrait of Maria Louisa de Tassis (mk08) | jacques emile blanche |
Related Artists:
CASTILLO, Antonio del
b. 1616, Cordoba, d. 1668, Cordoba Spanish painter and draughtsman. He studied first with his father, Agust?n del Castillo (d July 1631), a painter also known for his drawings, and in November 1631 began a three-year apprenticeship with Ignacio de Aedo Calderen, a painter of religious figures ( pintor de imaginera). From 1635 to 1638 Castillo was also known as painter and pintor de imaginera, and by December 1638
Henri Testelin
(Paris, 1616 - The Hague, 1695) was a French art painter. Henri Testelin made portraits of Louis XIV, important persons and events at the French court . Several of his paintings can be seen in the palace of Versailles. The portraits, like the one of the young Louis XIV, show the influence of Jean Nocret and Le Brun. He was secretary of Royal Academy of Painting and Sculpture from 1650 and professor from 1656. In 1680 he published a book on art theory and the academy. Testelin was dismissed from the Academy in 1681, because he was proptestant. He left France and went to Holland.
Chase, William Merritt
American Impressionist Painter, 1849-1916 American painter and printmaker. He received his early training in Indianapolis from the portrait painter Barton S. Hays (1826-75). In 1869 he went to New York to study at the National Academy of Design where he exhibited in 1871. That year he joined his family in St Louis, where John Mulvaney (1844-1906) encouraged him to study in Munich. With the support of several local patrons, enabling him to live abroad for the next six years, Chase entered the K?nigliche Akademie in Munich in 1872. Among his teachers were Alexander von Wagner (1838-1919), Karl Theodor von Piloty and Wilhelm von Diez (1839-1907). Chase also admired the work of Wilhelm Leibl. The school emphasized bravura brushwork, a technique that became integral to Chase's style, favoured a dark palette and encouraged the study of Old Master painters, particularly Diego Vel?zquez and Frans Hals. Among Chase's friends in Munich were the American artists Walter Shirlaw, J. Frank Currier and Frederick Dielman (1847-1935),